![]() ![]() The moment we met these leaders last summer, it was immediately clear that they have been extraordinarily thoughtful about the team they’ve built, the clients with whom they’ve partnered, and the projects they’ve tackled. Ghost Note is a Black-owned firm founded and led by lifelong friends Steve Jumper (CEO), Brandon Ellis (COO/CFO), and Reggie Snowden (President). ![]() ![]() We’ve grown our staff, our reputation, our permissions, and our trust. Through our interactions, we have honed Godfrey Dadich’s practice areas and bolstered the impact of The New Editorial by telling the true stories of how and why the world is changing-including, in many ways, for the better. Since joining the kyu collective, we’ve found kinship, community, and understanding. These foundational principles compelled us to reimagine what a creative studio could do-and to pioneer what we call “ The New Editorial.” And they needed to supply increasingly distracted audiences with stories that were relevant and trustworthy. They needed to distinguish themselves by making every interaction a meaningful experience. Despite this profound change, much remained the same: Organizations needed to know who they were, what they stood for, and what they were here to do. We did so in response to a media and communications industry mired in a sustained, structural decline, brought on by Big Tech aggregators diverting the advertising dollars that once were their lifeblood. Through this strategic partnership Ghost Note also joins the kyu Collective, which brings together best-in-class creative firms including Godfrey Dadich, to propel the economy and society forward.įive years ago this month, we launched Godfrey Dadich Partners to provide leaders new and better ways to reach, engage, and compel action among their stakeholders. Our partnership with Godfrey Dadich includes resources and human capital to support our growth and mission. Ghost Note is announcing that we’ve agreed to a strategic investment from Godfrey Dadich Partners (GDP), the storytelling, design, and strategy firm that’s pioneering The New Editorial. So now, we are excited to enter into a collaboration that will accelerate our reach and ability to help inspire and foster the new generation of underrepresented creatives and strategists. We are proud of what’s happening at Ghost Note and our central focus is growth of impact, creative opportunities, and our team’s experience. Through all the challenges and triumphs that come with growing an agency from the ground up, the thing we’ve appreciated most has been the opportunity to do it independently. In hindsight, it was a blessing in disguise that i almost didn't notice the first italian airing in late 2007 from Mtv because now that i saw way more different anime a decade later, it just becomes funnier and funnier and for different reasons i needed something as Gintama even more now that in my early 20's.We made these decisions because we had yet to find a partner that felt like the right fit – a group that valued our company and vision beyond the surface level. In the last days i'm rewatching again the beginning of the show with more background knowledge of the main characters, and these episodes are even funnier than the first time i saw them. Including the first two special episodes. I read all those rave reviews before finally start watching, and it turned out to be even better than expected. However, instrumentation and vocals are top notch, and of course there's a lot of symbolism for the fact that it is the beginning of a really long journey that for now has NEVER disappointed me. Both the original one and the remake for Gintama are powerful, in fact, i took some days to notice there was some difference here and there between them. as much as i enjoy all of these in particular and i'm still just 234 episodes in for now, Fuusen Gum is still my favorite. even if in 2022 day by day i'm not convinced of it at all.īut. Asa Answer is so calm and peaceful, the artstyle is amazing, and makes me think that everything is going to be allright. Elizabeth riding a motorcycle when the sun goes down has some real Driver's High (OP 1 of GTO) vibes and it's a great, great thing Shura is all around badass and every time it counts HI-FU-MI it is even more enjoyable for me because i can't stop thinking about the three girls that support μ's in the first Love Live animated series and their matching names Candy Line is seriously underappreciated (especially the bridge after the second chorus) and i'm fond of it even more because it was the last ed for the show when it still had italian dub, also i like so much the pictures of the cast portrayed as if it was a bunch of high school teachers and students. Raindrop is cool and seems something that could have been recorded by Green Day
0 Comments
Leave a Reply. |